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- <text id=91TT2677>
- <title>
- Dec. 02, 1991: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- Dec. 02, 1991 Pearl Harbor:Day of Infamy
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 14
- </hdr><body>
- <p> MOVIES
- </p>
- <p> BEAUTY AND THE BEAST. One day your kids will be taking
- their kids to this sumptuous Disney cartoon. Adults will be
- touched too, by a parable about the tyranny of convention and
- the liberation of love. It's also about magic mirrors, singing
- candlesticks and the art of drawing pictures that move people.
- A fairy tale for all ages.
- </p>
- <p> PROSPERO'S BOOKS. Shakespeare illustrated by Peter
- Greenaway (The Cook, the Thief, His Wife and Her Lover). Not the
- British director's best film but certainly his most: two
- chockablock hours of Sir John Gielgud intoning The Tempest while
- surrounded by naked babes and boys. It's as if God lived in the
- Playboy Mansion. The true version of this coffee-table film is
- the accompanying book: script, photos and drawings.
- </p>
- <p> MALA NOCHE. Come to the wild side of...well, Portland,
- Ore., for a drugged-out slice of lice in artfully grungy black
- and white. The first feature by Gus Van Sant, who was later
- beloved by critics for Drugstore Cowboy and My Own Private
- Idaho, this 1988 homo-erratic melodrama remains his boldest and
- best.
- </p>
- <p> BOOKS
- </p>
- <p> THE RUNAWAY SOUL by Harold Brodkey (Farrar, Straus &
- Giroux; $30). Perhaps the most anticipated first novel in
- history, the volatile short-story writer's magnum opus--nearly
- 30 years in the making--is at times precious, incoherent and
- self-indulgent.
- </p>
- <p> A THOUSAND ACRES by Jane Smiley (Knopf; $23). Based on a
- family feud over inherited farmland in Iowa, this modern-day
- King Lear has an exhilarating sense of place and a sheer
- Americanness that give it its own soul and roots.
- </p>
- <p> TELEVISION
- </p>
- <p> MTV 10 (ABC, Nov. 27, 9 p.m. EST). Michael Jackson,
- Madonna and a few other stars you may have heard of join in the
- music channel's 10th anniversary celebration.
- </p>
- <p> E.T., THE EXTRA-TERRESTRIAL (CBS, Nov. 28, 8 p.m. EST).
- The most popular movie of all time makes its television debut--on Thanksgiving night, when many families are otherwise
- occupied. Looks like it will be pumpkin pie in front of the tube
- this year.
- </p>
- <p> GARRISON KEILLOR'S HOME (PBS, Nov. 29, 9 p.m. on most
- stations). Lake Wobegon's favorite son brings his folksy radio
- humor to TV in the first of three specials. Along with a Keillor
- monologue on the death of Buddy Holly, Bobby McFerrin offers a
- nifty a cappella version of The Wizard of Oz.
- </p>
- <p> MUSIC
- </p>
- <p> PHIL SPECTOR: BACK TO MONO (1958-1969) (Phil Spector
- Records Inc./Abkco). The Wagner of rock, celebrating his own
- Wall of Sound glory, in a four-CD box featuring 60 of his
- biggest hits and wildest productions. This is rock at its
- grandest and giddiest. Spanning nearly a quarter-century,
- classics like Be My Baby and Then He Kissed Me are three-minute
- operas of teen passion, which have endured because of the
- grandeur and unapologetic delirium of the Spector style. His
- production techniques are elaborate and near legendary, but even
- if they could be duplicated, it wouldn't be the same. The Wall
- of Sound may have been created in the studio, but it's truly the
- fragile insulation around Spector's wild heart.
- </p>
- <p> MAJEK FASHEK: SPIRIT OF LOVE (Interscope). Well, as Bob
- Marley used to sing, "one love, one heart." Here's a wonderful,
- soulful singer from Nigeria who's a master of those gentle
- African rhythms from which Paul Simon drew such inspiration.
- Fashek sounds distinctly Jamaican into the bargain--not unlike
- Marley, in fact--and writes funky tunes with a spry political
- spirit and a winning sense of humor.
- </p>
- <p> O MISTRESS MINE (Dorian Recordings). These 27 English lute
- songs, many composed by John Dowland (1563-1626), possess a
- timeless charm and pith that are captured with effortless grace
- by the remarkable lutenist Ronn McFarlane and Frederick Urrey's
- sweet tenor.
- </p>
- <p> THEATER
- </p>
- <p> PERICLES. Last year film star Campbell Scott (Longtime
- Companion, Dying Young) was an extraordinary Hamlet at San
- Diego's Old Globe, proving himself a fit heir to his parents,
- George C. Scott and Colleen Dewhurst. Now he is at New York
- City's Public Theater, portraying another Shakespearean royal
- in a psychologically rich but chaotic narrative, perhaps the
- Bard's weakest.
- </p>
- <p> NIGHT DANCE. Novelist Reynolds Price (Kate Vaiden) proved
- himself a splendid playwright in New Music, a trilogy about the
- tarnishing and disillusionment of a golden boy. Staged at the
- Cleveland Play House in 1989, it deserved a wider life. Now at
- least the poignant middle play is being mounted off-Broadway.
- </p>
- <p> THE POINT. Harry Nilsson's 1971 animated video fantasy
- about prejudice has been imaginatively adapted for a small stage
- in Los Angeles. The show, equally suitable for children and
- parents, blends broad acting, balloon characters, Bunraku-style
- puppetry, fog effects, strobe lighting and choreography by
- former Martha Graham troupe member Janet Eilber.
- </p>
- <p> MY YIDDISHE MOMA
- </p>
- <p> They were made in Poland, Austria, the Soviet Union and
- even rural New Jersey, but they spoke a common language to a
- most uncommon people. They were YIDDISH FILMS--affectionate,
- often artless, now priceless curios of the '20s and '30s. In
- musicals (like Molly Picon's charming Yiddle with His Fiddle)
- and melodramas (Maurice Schwartz's powerful Uncle Moses), they
- traced the wanderings of Jews from the village shtetl to the
- urban ghetto and beyond. During World War II, the genre nearly
- vanished, along with many of those who produced and patronized
- it. As director Joseph Green says in the new documentary The
- Yiddish Cinema, "Six million of my best customers perished."
- Never again. Thanks to restoration magic performed by the
- National Center for Jewish Film at Brandeis University, this
- movie heritage is being celebrated in a 38-feature retrospective
- at New York City's Museum of Modern Art (MOMA), through Jan. 14,
- and in an invaluable critical history, J. Hoberman's Bridge of
- Light (Schocken Books; $40). Go. Read. Enjoy. It couldn't hurt.
- </p>
- <p>BY TIME'S REVIEWERS. Compiled by Linda Williams.
- </p>
-
- </body></article>
- </text>
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